Writers are often described as one of two types – plotters or pantsers. It’s curious that one of the things most talked about when discussing how writers write involves a word that doesn’t actually exist. Pantsing (commonly known as dakking if you’re Australian) is a word – the action of pulling down a person’s trousers, but pantser does not exist in the English dictionary and it sends the spellcheck into meltdown.
Plotters (also known as architects or planners) outline the plot points of their story before they sit down to write. Their tales are pre-planned to varying levels of detail and they know what’s going to happen before they put pen to paper. Pantsers (sometimes called gardeners) fly by the seat of their pants when they write. Their approach gives them the freedom to take their novel in any direction, not knowing where they are going or how the story ends. It’s a road trip without a map.
There’s about a 50-50 split in published writers – half plotters, half pantsers. Regardless of which approach is taken, writers who are successful end up in the same place – with a story that has a beginning, a middle and an end – a structure in other words. I think successful pantsers must have an innate sense for how the plot needs to be structured as their story unfolds.
I confess to being a bit of a geeky nerd and learning about the structural possibilities has become something of a fascination of late. Story structure is the scaffold that supports your words and moves the reader through your story. It creates flow and helps to keep readers engaged. Regardless of whether you write organically, plot your story before writing or use a hybrid of these methods (me) you still need to understand the
basic structural elements of a story as without it your story is likely to flop soon after take-off or require endless re-writing to turn it into something that will engage readers.
The W-plot structure (made accessible by Mary Carroll Moore on Youtube) provides a great overview of story flow. This is a simple representation of the three act play, though it can have more than three acts of course.
The quest or idea story is a classic for adventure/crime/mystery/speculative fiction stories (think Harry Potter, The Hunger Games, Don Quixote). A question is raised or a problem needs to be solved early on and the novel sets out to find the answer. The mystery novel I am currently working uses a variation on the quest structure and involves seven turning
points that each align with an archetype.
An idea for another novel bubbling away in the back of my mind will most likely use a blend of the core event structure and the place structure. For core event think The Lord of the Rings or The Slap by Christos Tsiolkas were a pivotal dramatic incident (the slap) unleashes a turbulent sequence of events that propel the story forward.
In the place (or milieu) structure (think The Firm, The Wonderful Wizard of Oz or Lord of the Flies) the arrival at a place and the impact it has on its characters is what drives the story. Writers who love world building (eg. science fiction and fantasy) often use this structure. The plot follows a character who explores the world created and is transformed by it. The story starts when the character enters the world and ends
when they leave.
Whether you think of yourself as a plotter or a pantser, a solid understanding of structure is a must. Holding the framework on which you want to build your story in your mind will help you drive your adventure where it needs to go.
What type of writer are you? Which story structures have you used? What about literary fiction?
Main image: Pylons on a full mooon
Inset images: representation of story structures


tribulations and adventures of a sleek black horse. Black Beauty highlighted the issue of animal welfare and the importance of treating others with kindness, respect and sympathy. Important lessons for any child. Roald Dahl bought garden bugs to life in his 1961 novel James and the Giant Peach that explored the themes of friendship, death, hope, fear, abandonment, rebellion and transformation. I remember being fascinated by the giant caterpillar who had to tie the shoe laces on his many pairs of boots every morning. The book is still on my shelves and I pull it out and re-read it every now and then.
allegory of the Manor Farm ruled by pigs. As power goes to their heads the pigs start to run the place on the premise that “All animals are equal but some animals are more equal than others.” They become so much like the humans they overthrew that eventually they transform into humans themselves.
fair to stay things were going swimmingly. I had established a great routine of writing early, doing some exercise then either writing again, reading or heading out into the garden depending on the weather. Then along came Harper.
Many country dogs get adopted in Melbourne, and Seymour is a liaison point apparently. The industry is quite mysterious and I think there could be a great fiction story written about the rescue, movement and adoption of animals.
Staghound-kelpie cross at home. “Best dog he’d ever had,” he said, “affectionate, trainable and not as energetic as a kelpie. Likes to lie around on the couch and watch TV.” Sounded like an ideal writing companion.
people who dropped by and Bunning’s. Believe it or not Bunning’s has a very detailed dog positive policy and we were able to take Harper around the store introducing her to the weird and wonderful world of the great Aussie tradition of a trip to the hardware store.



