Feet of clay is a domestic noir prose poetry flash fiction story I wrote for spoken word. You can listen to it performed live for a poetry and prose at the pub night in Warrandyte; watch is on a video clip made for the BookLove Tuesdays Facebook live events hosted by the Artistic Director of the Terror Australis Readers and Writers Festival; or read the story below.
Lilith rolled and pounded and prodded and plotted. Clay dripped from slender fingers, flecks thrown by the spinning wheel spattered into golden locks, made her beauty more desirable. Twice winner of the pottery prize, prominent and popular, she knew she would be made if she could triumph again. A hat trick to cement her place in the town’s history.
Rex, her lover, her muse, her confidant, her king; had taken up the craft with the same passion and zeal he had when he had taken up with her, on a summer night many moons ago, on the banks of the river beneath a willow, embraced by the arms of soft green grasses. Lilith admired his body, his coils, his glaze when they sat side by side in the sweltering heat of the kiln, matched only by the heat in his loins, the love she knew he held for her.
Late one night whilst they potted and spun, the soft sounds of love leaking from the stereo; his Swayze to her Moore; Rex leant in close, whispered in her ear so she felt his hot breath brush the down of her lobe.
“I think I’ll enter the prize, we could stand side by side.”
They were doing what they often did, he behind her, clay sliding through fingers, along arms, a sensuous ritual that gave life to art and art to love. The work; a French ceramic flower pot that Lilith would glaze, just so, in imperfect green.
But his words planted a seed. Its tiny tendrils entwined, wrapping themselves in ever tightening circles around Lilith’s heart, her freedom, herself. That Rex would want not only her, but her dreams, her talents, her prize, struck weeds in her Eden that took root and slowly spread, a demon force that left thorns in her flesh, eroded her love.
Lilith began to work when Rex was away, ignoring his calls, in the dead of the night, to the cries of the owls, the yowls of the cats left out in darkness to hunt like jackals, feast on possums and bats. Creatures that belonged to the night’s forest devoured by those who would slink in and steal their lives.
She experimented with silkscreens, with decals and lustres, turned plates, bowls and cups till her back ached and her hands were raw, pitted with cuts and scrapes and burns. Before dawn she squirrelled away her finest work, hoarded from prying eyes to ensure her stall would be a surprise.
Expo day arrived along with the blues and the whites and the reds of the French. Tents were sprung and tables were set with the fruits of eighty potters for all the world to see, but the coveted potluck prize waited for only one.
Lilith laid her wares with care on white lace cloth, her red dress flared as she twisted and twirled; a flourish here, a tweak there. Embraced in the imperfect green flower pot, planted in soil and ash was foliage the shape of lopsided hearts, splashed, slashed and swirled with plum and purple and scarlet. The showboat and king of the begonia world, its lush and lovely leaves quivered in the summer breeze and set off her stand to perfection.
The judge, a dour woman with puckered lips and bulging hips paraded along the river trail inspecting pots, peering in, tut-tutting, enjoying her own importance, before disappearing into a tent to deliberate. Finally emerging, she sauntered a windy path to Lilith’s stall. It was not until she was right up close that she allowed herself to crack a tiny smile.
“Congratulations Lilith, you have won the prize yet again. I was particularly taken with your centrepiece, the imperfect green flower pot holding the begonia. You must tell me your secret to ensuring the good health of this fickle plant.”
Lilith smiled sweetly, gave nothing away, but if you had been listening closely when she bent over the plant after the judge had left you would have heard her whisper.
“We did it Rex.”
Main image: The Queen of the Shire, Deborah Halpren