Debut outback noir set in South Australian, Cutters End, by author and playwright Margaret Hickey is a dual time line police procedural mystery.
DI Mark Ariti is recalled from long service leave to reinvestigate a cold case in the remote country town of Cutters End. He is aided by the cheerful and detail oriented local Senior Constable Jagdeep Kaur. Ariti is from the area himself and soon discovers a personal connection to two of the witnesses – an old girlfriend and her best friend from school, who share a long buried secret.
Ingrid laughed. ‘Haven’t done much hitching, have you, Mark? And it would be different for a man. For a woman, there’s always the pressure to entertain, be funny, make them feel like they’re pleased to have picked you up.’
The investigation revolves around a death on New Year’s Eve in 1989, in the scrub off the Stuart Highway 300km south of Cutters End. The incident was initially believed to be due to a car accident. The man who died was something of a local hero due to having saved a girl and her mother from drowning in floodwaters. The girl grew up to be a celebrity and used her influence to initiate a relook at the case, claiming the original investigation was botched.
Ariti’s digging unearths the disappearance of a number of women in the same area around the same time, and soon there are multiple deaths to investigate.
Two hours into the trip, driving in the police lease car on the highway heading east, Mark clipped a roo on his side window. The grey body ramming his car gave a sickening thud and for a split second he thought he’d hit a women wearing a beige suit. The roo jumped wildly into the middle of the road and he braked, heart pumping. Natalie Merchant crooned. The roo stood, stunned, before lurching into a nearby paddock.
While Ariti investigates, he is also trying to coparent and repair his relationship with his wife following indiscretions by both of them. Revisiting his past gives him pause for much contemplation about life and more broadly, about purpose in work, and ageing.
The outback has a reputation for quirky eccentric characters and Hickey milks the trope in Cutters End. In typical police procedural and cold case style there is a slow build up in Cutter End, as well as plenty of twists, layers and a climatic conclusion.