Book review: The Last Binding trilogy by Freya Marske

I picked up the first book in The Last Binding trilogy (A Marvellous Light) and was sucked into the magical Edwardian world so deeply that I totally binged on book two (A Restless Truth) and three (A Power Unbound). Freya Marske has set her stories in England where the population is divided into (secret) magicians and non-magicians, political intrigue is rife, and hot queer romance is in the air (content warning if gay sex makes you queasy this trilogy may not be for you!). 

On the contrary, stories are why anyone does anything.

The secret magical population are upper class land owners whose powers are drawn from their relationship with the land. Even their houses are infused with sorcery, and there’s a government office whose purpose is to keep magic out of the view of the general non-magical public. The first instalment revolves around the unmagical Robin and the magical Edwin who are thrust together after an administrative error. They go in search of an ancient contract that threatens all the magicians of England. There are murderous mazes, faceless enemies, family tensions, runes and magical visions.

Of course I’m on your side. You complicated my life,” Robin said warmly. “You woke me up. You’re incredibly brave. You’re not kind, but you care, deeply. And I think you know how much I want you, in whatever way I can have you.

Book two takes place on a passenger ship and revolves around Maud, Robin’s sister who is accompanying an elderly magician to help her brother get to the bottom of the ongoing magical contract conspiracy. When the old lady dies, Maud teams up with Violet, another passenger, the controversial magical actress who agrees to help her try to identify the murderer.  This book includes marauding zoo animals, hijinks, emotional angst, steamy ladies, and helpful gentlemen – including writer-thief, Alan Ross, and Lord Hawthorn who knows a lot about magic, but no longer has any. It turns out the old ladies parrot is hiding something important.

Good to see you, Edwin, old chap. Don’t give my regards to your family. I never liked any of them.

In book three we are back in London with the whole crew. Centre stage are Robin, Edwin, Violet, Maude, Lord Hawthorn (Jack), and Alan all trying to track down the last contract before magical mayhem and catastrophe break out. Jack’s twin sister’s death as a child has a direct link to the magical subterfuge that has haunted the entire trilogy and comes to a head in A Power Unbound. Initially Alan is only in it for the money, until sparks start flying with Jack. Book three has big magic – in people and tetchy houses, ghosts, a magicians version of a shoot out, and some of the most explicit, well crafted sex scenes I’ve ever read.

I suggest a daring stealth adventure, and you have to ruin it by telling me it’s going to involve books

A fun, raunchy, bingeworthy three book fantasy-crime read with whimsical prose and a feel of quality fan fiction to it. I was a little disappointed when the ride ended. 

Book review: The Siren, the Song and the Spy by Maggie Tokuda-Hall

Fantasy novel, The Siren, the Song and the Spy by Maggie Tokuda-Hall is the sequel to The Mermaid the Witch and the Sea. In The Siren, the Song and the Spy there are more characters, the stakes are higher, and the story bigger than the first book.

The Sea is forever destined to forget. And I am forever destined to remember.

The Sea worries about the continued hunting of mermaids for their blood, Alfie has been helping pirates stage a rebellion against the Empire, and the Empire has been quelling rebellions as fast as it can.

I don’t believe we can beat them. Not because we are not fierce enough, but because in order to win, we’d have to abandon everything that we are.

Meanwhile Genevieve washes up on the Red Shore of Wariuta. Koa who finds her decides to spare her life even though she had a crack at his and his sister, Kaia. Kaia doesn’t trust her. As Genevieve begins to discover things are not all as she believed in the Empire, she has to decide where her loyalties lie.

Let’s go make something of this world.

The Siren, the Song and the Spy is an action packed, emotionally complex and rich story told from multiple points of view. There is deep diversity in the characters, and the world building is impressive and large scale. Themes include colonialism, oppression, imperialism, resistance,racism, ableism, 

Book review: The Mermaid the Witch and the Sea by Maggie Tokuda-Hall

I read The Mermaid, the Witch, and the Sea by Maggie Tokuda-Hall with my book group and loved it. Queer + Pirates, what more could you want? 

There’s freedom in stories, you know. We read them and we become something else. We imagine different lives, and while we turn the pages, we get to live them. To escape the lot we’re given.

The story is a young adult swashbuckling, fantastical, sapphic, girls own adventure. There are pirates, mermaids, greed driven, despotic overlords, hero’s and villains. Not that different to the real world really…colonialism, imperialism, misogyny. 

Corsets are stupid

Flora and her brother became pirate crew in order to have a place to live and food in their bellies. Gender fluid and black, Flora disguises herself as a man called Florian (think Pope Joan?) and falls in love with one of the passengers – Lady Evelyn Hasegawa. 

If Florian was the wall that guarded Flora, then Evelyn had scaled his heights.

Evelyn is on board supposedly to be wed in an arranged marriage at their destination. In actual fact her parents had sold her to the highest bidder due to her difference (code for lesbian). There’s a catch as the wealthy passengers are about to be told they are to be sold as slaves. So of course Florian has to rescue Evelyn. 

After that, she wondered, how improper was it — really — to slap a man in the face for staring?

The pair make a daring escape, rescuing a mermaid in the process, who then along with the sea (a character with thoughts and feelings) rescues them – spitting them out on an island shore where a witch revives them.

There’s nothing out there to punish evil, no one out there to reward the righteous. We’re all just adrift.

The Mermaid, the Witch, and the Sea is brimming with diversity, adventure, romance and a good lashing of the kind of violence, blood and guts colonialism is famous for. A fun read and other worldly adventure.

Book review: Moon Sugar by Angela Meyer

I was taken with Angela Meyer’s writing when I read Joan Smokes, it has a slow, hauntingly beautiful vibe about it. Her most recent novel Moon Sugar applies her literary style to a story that blends crime fiction, science fiction and fantasy.

The lichen at least helped him understand the way Sally, he, his daughter, even Rick were all connected and continuing atoms and gases, infinite universes opening out from each moment.  And yet, he still has to cope with being here, now, without her corporeal form.

The novel starts with a prologue set twenty four years ago about an ageing astronaut surrounded by a mysterious lichen as he contemplates his mortality and the secrets he will reveal to his daughter when she is old enough. The scene appears untethered to the story that follows, but we circle back to its connection later in the novel and it becomes a critical piece of information linking the crime elements to the science fiction and fantasy narratives.

He remembers something he heard about taking drugs, that sometimes it’s like a zipper opening and that if you keep trying to pull up the zipper you’ll have a terrible trip but if you just let the zipper open and accept whatever spills out you will have a good time. And thinking about it this way, he is able to let go of holding together the division of where the edges of himself meet the world.

Josh, a young sex worker disappears in Berlin. An email with a suicide note is sent to his family and his clothing is found on the banks of a Berlin river. Personal trainer Mila who is one of his clients, and his best friend Kyle both think something is amiss. They each travel independently to Berlin, where a chance meeting has the unlikely pair team up to try and find out what happened to Josh – and that is when the magic seeps in.

This is how the world is increasingly run: cashed-up idealists who are in too much of a rush to properly consider any long-term projects, wanting to be heroes of the people in the moment, be the first and best.

Moon Sugar touches on themes of drug taking, queerness, connection, disconnection, capitalism, magic, sex and death. The characters are well drawn and Meyer pens great insight into the inner worlds of Mila and Kyle, take a trip with them.