pile of dictionaries, pruning implements and an orange

Online course review: Cut, Shape, Polish by the Australian Writers Centre

If you have a completed manuscript ready to edit and you’re not quite sure where or how to start, I have a solution for you. The Australian Writers Centre online Cut, Shape, Polish course is one of the most useful writing courses I have completed to date, and there have been quite a few.

Cut, Shape, Polish is a practical step by step course that will provide you with a framework, tools and templates to complete a comprehensive edit of your manuscript. The course has five modules with audio tutorials and downloadable handouts.

It starts from the macro. Get your plot and structure right to ensure a satisfying outcome, identify themes and the questions your story is asking. Learn how to map your story structure with easy to use templates so that you can dissect it for plot holes, inconsistencies and gaps and make sure tensions rise and fall in the right places.

Module two dives into character to ensure your characters develop and drive the story. Learn how to check if your characters will be engaging and believable for readers, and if their dialogue is convincing and moves the story along. Identify and resolve issues with tone, voice and motivation so that your characters are convincing and keep readers engaged throughout the story arc.

Module three covers theme, setting and descriptions. Check if you are getting your point across through layering a cohesive thread through your work. Identify and resolve issues with world building and setting, build in motifs and symbols where they can improve your story. Bring to life the story your unconscious wanted you to tell.

You will move your focus from the macro to the micro in module four and study the sentence level. Make sure your point of view is working for the story. Interrogate the balance of show versus tell, info dumps and exposition, make sure your tense is consistent and consider sentence structure and style.

The last module hones in on openings and endings of sentences, chapters, the story and the overall story arc. Catch your cliches, find the words you repeat over and over, and over. Consider the value of Beta readers, taking feedback like an adult and whether you would benefit from the services of a professional editor.

The best time to start this course is after you have completed a first draft and left it to rest for a few months. This will give you twelve months of course access to work through your edits alongside the lessons. There is a lot in the course, so you’ll probably want to complete it more than once.