Book review: China Rich Girlfriend by Kevin Kwan

China Rich Girlfriend is Kevin Kwan’s sequel to Crazy Rich Asians where old money meets new in the jet setting, excessive consumerist wild lives of Hong Kong and Shanghai’s elite.

People are messy. Life gets messy. Things are not always going to work out perfectly just because you want them to.

Just when you start to tire of the tantrums and shopping trips to buy clothing worth more than the average persons house, there’s a plot twist and a mystery, intrigue, drama and romance.

I’m so glad I can always count on you to have some sort of ulterior motive that involves money.

Nick Young and Rachel Chu are on the cusp of getting married when Rachel discovers her unknown father is Bao Shaoyen, a wealthy and influential politician from mainland China. The couple fly to Shanghai to meet her family including her half brother Carlton and his socialite girlfriend Colette Bing and find themselves caught up in the highlife.

I don’t understand. How can a credit card ever be rejected? It’s not like it’s a kidney!

Other characters include Kitty Pony, former sex-tape star trying to break into A list, tech entrepreneur and social climbing, mean spirited Michael Teo, his wife, Astrid, and Charlie who is keen on Astrid, all of whom crave a spot in the social pages while being careful to appear as if they don’t care.

Beauty fades, but wit will keep you on the invitation lists to all the most exclusive parties.

China Rich Girlfriend is like an over the top Chinese soap opera. A silly fun quick read.

Note: I am off on holidays to Japan tomorrow for five weeks – yeah! I will do my best to continue my weekly posts, but it may turn into a travel blog for a few weeks.

Melbourne Fringe review: ACTRESS

I love a good drag cabaret show and ACTRESS, performed by Murdoch Keane, is up there with a unique concept and persona and great visual artistry combined with artistic talent. The audience went off. 

As the patrons enter Griselda von Fistenberg dances around a collection of cardboard boxes and other props under a red glow light. Her mass of golden hair sparkles and her opening lines are poetic. 

There’s one catch. She’s dead. Has been for five days after falling down the stairs. Her pool boy found her there. So are we seeing an old actress come back from the dead or has her besotted queer pool boy stolen her identity and put on a show?

This is Hollywood ghosts on steroids – think Judy, Marilyn, Joan, Bette, Liz T, Liza, Ethel and King Kong – bought back to life by Keane’s exceptionally good voice and high energy charisma. It’s queer cabaret delivered with ghoulish glamour.

ACTRESS, created in collaboration with Ozzy Breen-Carr and directed by Brandon Armstrong, is Keane’s debut solo show developed through a La Mama residency. I am confident we will see a lot more of Keane.

ACTRESS is showing at Melbourne Fringe Festival Hub, Trades Hall in the Meeting Room until 19th October. If you’re looking for a wild ride with some old stars and new themes, grab a ticket for this Fringe show now.

Book review: The Art of Racing in the Rain by Garth Stein

The Art of Racing in the Rain by Garth Stein was a totally random pick for me. I did not expect reading it to leave me in tears! The story is written from the view point a dog called Enzo. 

I’ve always felt almost human. I’ve always known that there’s something about me that’s different than other dogs.

Enzo is sensitive, introspective and funny and takes his role of looking after his humans very seriously. He learns a lot by watching the television when his humans are at work, but his lack of thumbs is frustrating and he plans to come back in his next life as a human.

People are always worried about what’s happening next. They often find it difficult to stand still, to occupy the now without worrying about the future. People are generally not satisfied with what they have; they are very concerned with what they are going to have.

Enzo was picked out from a litter of puppies by his human, Denny. Denny is a race car driver who works in a Seattle car-repair shop to fund his racing. Enzo soon discovers he loves car racing as well. The tale takes us Enzo and Denny’s single life together through to the adjustment to a human woman called Eve who comes into Denny’s life. Enzo isn’t sure about Eve to begin with but they do bond. Then the humans have a baby called Zoe and Enzo is smitten.

Somewhere, the zebra is dancing.

Things take a turn when Eve becomes unwell and Denny’s life spirals through a sequence of bad luck, well meaning but misplaced intentions, and nastiness. Enzo sticks by his man as his life unravels, but has to contend with a demon zebra. 

He died that day because his body had served its purpose. His soul had done what it came to do, learned what it came to learn, and then was free to leave.

The Art of Racing in the Rain is a tale about family, love, loyalty and hope. It’s a bit cheesy at times, but I’m a total sucker for a dog story.

Melbourne Fringe review: No Seasons

No Seasons is a unique experimental show by Oliver Ayres that explores gender, IVF, disability, and parenthood.

Upon entering the theatre audience members are asked to take a pair of headphones, color coded based on your lived experience:

– you are a parent already

– you are not a parent, but you might be one day

– you are not a parent and never will be

Before the performance even began, the artist had set up the tension. I experienced a low level of curious FOMO (fear of missing out) all the way through the show. I kept wanting to know the story people with different colour headphones could hear. And no, I’m not telling you my colour.

While multiple narratives played through headphones, the artist performed silently in and around what looked like an old bathhouse. At 19 Oliver had 22 eggs retrieved prior to a gender transition. 22 stones represented those eggs as Oliver’s dilemma unfolded in our ears and on a fragmented visual display.

The effect was beautiful. No Seasons is without a doubt an original work. A vulnerable, intimate and immersive insight into Oliver’s experience as a transgender man with a disability contemplating the possibility of becoming a parent.

If you are like me, you will get an itch to go back and experience the other narratives.

No Seasons is produced by SKINT. Sound design is by Justin Gardam and Rachel Lewindon, lighting design by Sidney Younger, and set design by Ashley Reid.

Tickets are available via Melbourne Fringe website. No Seasons is on at the Meat Market Stables, 2 Wreckyn st, North Melbourne until 18th October. Highly recommended.

Book review: Ghost Cities by Siang Lu

Miles Franklin Literary Award winner Ghost Cities by Siang Lu is a unique and wacky novel inspired by China’s uninhabited megacities. The story spans dual timelines – Imperial China and Modern day China and Sydney.

where no matter what I try I can’t remember the details – only it was important and now I have lost it maybe forever – then I am dismembered. I have lost a part of myself. Violently so. That is actually how I feel. A dismemberment. Is that strange?

Xiang Lu, a Chinese Australian is fired from his job at the Chinese consulate in Sydney when it’s discovered he’s been using Google Translate for his work as he doesn’t speak Chinese. #BadChinese goes viral on social media and Chinese film director Baby Boa engages Xiang Lu to attract attention for his latest film. Boa has turned one of China’s ghost cities into a 24/7 film set, where all the population are actors. 

In the ancient timeline an Imperial Emperor who rules with an iron fist at a time of concubines, Royal decrees and official tasters, has 1000 doubles because he is afraid of being assassinated. They all start making Royal decisions.

Word travelled fast. By the time of His coronation, rumour was already circulating the courts that young Lu Huang Du had conspired to usurp His father’s throne. Well, he certainly had not planned it that way, but He was nothing if not an opportunist. When whispers of patricide and regicide spread through the Imperial Court, He uttered not denials.

Ghost Cities is a wild ride – part historical and part contemporary fiction, urban fantasy and satire all rolled into one. An imaginative tale about power, superstition, corruption, and how illusion and reality intersect. There is even a love story in there amongst all the chaos. 

Melbourne Fringe review: The Worm

Online dating is tough – if you’ve done it you know what I mean, dating apps have made meeting people highly transactional. A never ending sea of faces, often not the ones that show up on a date, weeks of chatting and creating a projected image of potential partners, random ghosting. Perfect content for comedic story telling when you think about it.

The Worm created by comedian Taylah Whelan and on at Melbourne Fringe Festival makes a comedic soup of online dating and our associated anxieties. Whelan embarks on dates to have hot sex with a man she’s not interested in, an over confident but under talented wannabe screenwriter, and a woman who is well adjusted and interested. And how is a girl supposed to deal with that? Whelan’s crushing anxiety and the quiet rumblings of a talking animatronic worm sabotage everyone of them.

Did you know that earthworms possess not one heart, but five?

With great comedic timing and witty one liners, Whelan has created a funny and insightful show telling a story about the anxiety ridden reality of modern dating, the vulnerability of our efforts to connect, and being our own worst enemy.

The Worm is produced by SKINT and directed by Caitlin Soennichsen. Wriggle over to the Fringe website to grab a ticket to The Worm, playing at the Motley Bauhaus in The Cellar till Sunday 5th October. 

Melbourne Fringe review: Jester’s Privilege

And to be a buffoon was a serious thing as a rule! For a jester’s chief employment, is to kill himself for your enjoyment – The Court Jester

The life of the joker was to amuse the aristocracy. Their privilege came from being the only person in the court who could insult the monarch without consequence. But what happens when a jester goes too far?

Jester’s Privilege, on at Melbourne Fringe Festival is about a jokers existential crisis after the medieval Queen decides to put him to death.  He messed up his juggling act in a way that had dire consequences for the monarchy.

What will become of the Jester who has displeased the Queen?

Jester’s Privilege is a dark comedy by Handful of Bugs writer-performers Alex Donnelly and Lachlan Gough, and produced by Kaite Head of SKINT. Donnelly and Gough are a versatile, dynamic and playful performance ensemble. In Jester’s Privilege Donnelly’s acting skills shine through portrail of multiple characters in quick change successions. Donnelly and Gough are joined onstage by Ayesha Harris-Westman as the Queen. And the costumes are spectacular and colourful.

I have seen Handful of Bugs before and they go from strength to strength in their performances. With clever scripting, impeccable timing, and hilarious facial expressions, this show is a lighthearted exploration of a serious topic – the inner turmoil of the clown for whom sometimes comedy emerges as a release from psychological torment. Who better to unmask the court jester but a comedic duo?

Grab a ticket for a wild ride in Medieval England. Jesters’s Privilege is on at Festival Hub: Trades Hall Old Council Chambers till Sunday 5th October.

Book review: The Housekeeper and the Professor by Yoko Ogawa

I met an old friend from high school once who had experienced a traumatic head injury – we rode horses at the same place. She had almost photographic recall of long term memories from high school, but almost no short memory. Every time we encountered each other it was as if we were meeting for the first time after many years, and we would often cover the same territory in discussion – remembering our highs school days. The Housekeeper and the Professor by Yoko Ogawa reminded me of that time. The story is a sweet domestic drama set in Japan.

A problem isn’t finished just because you’ve found the right answer.

A housekeeper who is single mother to a young boy is placed by an employment agency with a new client. He is an old man who lives in a two room apartment at the back of his sister-in-laws house. The professor is a brilliant mathematician who’s short term memory only lasts 80 minutes after a traumatic head injury in a car accident. Pinned all over his suit are reminder notes he has written to himself to try and remember things that matter. The disability has not interfered with his ability to solve complex mathematical problems. 

Solving a problem for which you know there’s an answer is like climbing a mountain with a guide, along a trail someone else has laid. In mathematics, the truth is somewhere out there in a place no one knows, beyond all the beaten paths. And it’s not always at the top of the mountain. It might be in a crack on the smoothest cliff or somewhere deep in the valley.

The professor asks the housekeeper for her phone number and shoe size and explains the significant of those numbers, then draws a picture of her and pins it to his jacket.

Soon after I began working for the Professor, I realized that he talked about numbers whenever he was unsure of what to say or do. Numbers were also his way of reaching out to the world. They were safe, a source of comfort.

One day the housekeeper has to take her son to work with her and he and the professor become friends. He calls the boy Root, after the square root sign, because the top of his head is flat. They bond over baseball and maths homework.

He treated Root exactly as he treated prime numbers. For him, primes were the base on which all other natural numbers relied; and children were the foundation of everything worthwhile in the adult world

The Housekeeper and the Professor is an study of number theory – prime numbers, triangular numbers, amicable numbers – and a gentle exploration of relationships without memory.

Book review: All Fours by Miranda July

All Fours by Miranda July is a novel about what happens when creativity, peri-menopause, lingering trauma from a premature birth, and an emotionally and sexually distant marriage collide in an existential crisis. 

All of the hormones that made me want to seem approachable so I could breed are gone and replaced by hormones that are fiercely protective of my autonomy and freedom

The 45 year old narrator (unnamed) is an artist who became mildly famous at a young age and works in several mediums. She lives in California with her husband Harris and their non-binary child Sam. After getting an unexpected windfall from a piece of work she completed, and dealing with a creative block, she decides to take a solo road trip across the country to New York. Her best friend Jordi encourages her to spent the windfall on beauty. The trip will give her time to think and reevaluate life and a stay in the Carlye will be luxurious. Much of the story is relayed via phone calls between our narrator and Jordi with whom she shares everything.

Each person does the amount of lying that is right for them. You have to know yourself and fulfill the amount of untruth that your constitution requires.

Twenty minutes from home she has an encounter with a young man, Davey, who cleans her windscreen and they meet again at the place she stops to eat. She books overnight in a motel in the town. Then she decides to stay there rather than drive to New York and spends twenty thousand dollars commissioning Davey’s wife Claire to redesign the motel room. Over the next three weeks she has an intense emotional liaison with Davey.

A lot of women destroy their lives in their forties and then one day they wake up with no periods and no partner and only themselves to blame

When she returns home she cannot shake her obsession with Davey, dissatisfaction with her marriage, and her changing hormones. 

The women I dated were often my age, that was fine. But the men always had to be older than me because if they were my same age then it became too obvious how much more powerful I was and this was a turnoff for both of us. Men needed a head start for it to be even.

I loved the strange idiosyncratic subversion of this novel and the naked examination of the narrators interiority and fantasies. Skilfully crafted and brimming with funny one liners All Fours is a novel about women questioning in mid-life. A must read for women of a certain age.

Book review: The Boy in the Striped Pyjamas by John Boyne

The Boy in the Striped Pyjamas by John Boyne is a fable-like children’s story about the Holocaust told from the perspective of a nine year old boy. Bruno does not know he is growing up in the middle of what would become one of humanities great tragedies. 

The thing about exploring is that you have to know whether the thing you’ve found is worth finding. Some things are just sitting there, minding their own business, waiting to be discovered. Like America. And other things are probably better off left alone. Like a dead mouse at the back of the cupboard.

Bruno comes home from school one day to find the maid packing up his belongings. His family are moving from Berlin to an isolated location in the country. His father is a soldier, and his boss the Fury (Fuhrer) has given Bruno’s dad a special assignment.

Just because a man glances up at the sky at night does not make him an astronomer, you know.

The new house, called Out With (Auschwitz), is smaller and less interesting than the one in Berlin and Bruno thinks that moving was a mistake. He misses his friends and grandparents. There is no one for Bruno to play with at the new house, but through his bedroom window he can see people in the distance in a large fenced off area with squat buildings where everyone wears striped pyjamas. The adults in Bruno’s life are a bit evasive when he asks them questions.

What exactly was the difference? He wondered to himself. And who decided which people wore the striped pajamas and which people wore the uniforms?

Out exploring one day Bruno meets a skinny boy called Shmuel on the other side of the fence and the two become friends after discovering they share a birthday. They meet on the same spot every day for a year and Bruno brings food for Shmuel. Shmuel tells his new friend that the soldiers hate him and everyone else in the striped pyjamas because they are Jews. Bruno doesn’t believe this would apply to his own father – he is a nice man.

We’re not supposed to be friends, you and me. We’re meant to be enemies. Did you know that? 

When Bruno’s parents decide that he, his sister and their mother should move back to Berlin, Bruno no longer wants to go. Too much time has passed and he has adjusted to his new life and made a good friend – though his family do not know about Shmuel.

He looked the boy up and down as if he had never seen a child before and wasn’t quite sure what he was supposed to do with one: eat it, ignore it or kick it down the stairs.

The Boy in the Striped Pyjamas has received polarised reviews. It is criticised for its historical inaccuracies and simplistic depiction of the horror of the time. It has also been lauded as a beautifully written fable, well crafted to introduce children to a difficult topic. And both those viewpoints can be true simultaneously. How do we introduce difficult, violent, traumatic, but important topics to young people in appropriate ways except by leaving out details?

. . .only the victims and survivors can truly comprehend the awfulness of that time and place; the rest of us live on the other side of the fence, staring through from our own comfortable place, trying in our own clumsy ways to make sense of it all.

My own youthful introduction to this period of history was a book called I Am David by Anne Holm which was also criticised for its simplicity, inaccuracies and improbabilities. Despite this it was a story that left an impression. It made me aware of this particular point in history and engendered a sense of compassion and empathy for those who were subject to the cruelties of war and concentration camps.