I was out to lunch the other day and a friend spoke about their robot vacuum as if it were a new housemate. It had a character of its own and was not ‘just a machine’. As humans become more isolated and individualistic, our lives become more computerised. Do we impose greater meaning on this human-robot interface?
In the morning when the Sun returns. It’s possible for us to hope.
Klara and the Sun by Kazuo Ishiguro tells the story of the human-machine relationship. The story is from the perspective of an almost human android called Klara. Klara is a solar powered artificial friend. After a long time as a display in an android shop, she is purchased as a companion for Josie. Josie is a 14 year old girl with an unnamed illness and a dead sister. Josie warns Klara that there is something strange in her household. This comment sets up a creeping anxiety in the story. Hints are dropped about the nature of the strangeness but it doesn’t become apparent for some time what it is. The tension is heightened by the narrators limited and slightly naive perspective.
Yes. Until recently, I didn’t think that humans could choose loneliness. That there were sometimes forces more powerful than the wish to avoid loneliness.
Klara is designed to observe, learn, understand and serve her human. She is more than a friend – loyal, good and selfless. Klara also has the ability to learn about the emotional contradictions of humans. Yet, she also believes the sun has special powers that provide life giving nourishment. When Klara becomes increasingly concerned about Josie’s deteriorating health she seeks the suns help to heal her friend.
At the same time, what was becoming clear to me was the extent to which humans, in their wish to escape loneliness, made maneuvers that were very complex and hard to fathom.
The constructed world in which Klara lives is a hierarchical society of the ‘lifted’ and ‘uplifted’. The former have access to special privileges. And as one would expect, they are prone to be entitled brats. Klara’s charge Josie is lifted and more compassionate than her other lifted friends, perhaps due to her illness. Josie’s best friend and neighbour, Rick, is ‘unlifted’ and their relationship becomes something that Klara also protects and nurtures.
As I say, these were helpful lessons for me. Not only had I learnt that changes were a part of Josie, and that I should be ready to accommodate them, I’d begun to understand also, that this wasn’t a trait peculiar just to Josie, that people often felt the need to prepare a side of themselves to display to passersby – as they might in a store window, and that such display needn’t be taken so seriously once the moment had passed.”
As Klara learns to understand humans more and more, she seems to become more human herself. However fully grasping them always remains just out of reach. Though her observations do enable the reader to fully experience what she cannot. Klara observes, analyses and reports but the reader overlays meaning to connect the dots.
The heart you speak of,’ I said. ‘It might indeed be the hardest part of Josie to learn. It might be like a house with many rooms. Even so, a devoted AF, given time, could walk through each of those rooms, studying them carefully in turn, until they became like her own home
Klara and the Sun is a speculative fiction novel that explores what it means to be human, loneliness and love. Beautifully written with an eloquent subtlety that expresses complexity through simplicity.
Hard-boiled Wonderland and the End of the World by Haruki Murakami has two narratives. The hard-boiled narrative involves an unnamed Tokyo data processor who works for an entity called the System. He becomes involved with a scientist and his granddaughter after the scientist hires the narrator to launder and shuffle his research data.
I never trust people with no appetite. It’s like they’re always holding something back on you.
The parallel end of the world narrative is set in a walled city where people are separated from their shadows and lose their minds. In this world the narrator is hired as a Dreamreader. The two narrators are linked by the Tokyo protagonists mind being shuffled into the end of the world.
I wasn’t particularly afraid of death itself. As Shakespeare said, die this year and you don’t have to die the next.
The story is as weird and layered as the title, but also totally engaging (despite a little sexism and cringe worthy fatphobic language at times, though it was first published in 1985). Speculative fiction and magical realism meets hard-boiled detective story. There’s even unicorns.
Huge organizations and me don’t get along. They’re too inflexible, waste too much time, and have too many stupid people.
Hard-boiled Wonderland and the End of the World explores subconsciousness and consciousness, how identity and memory are formed by the stories we tell ourselves, and fate and free will. There’s a whiff of Kafkaesque and Orwellian existential meditations…
The Memory Police by Yoko Ogawa is a dystopian novel set on a remote island off the coast of Japan where objects – hats, roses, birds, boats – disappear at the hand of an unknown power. The disappearances are reinforced by the Memory Police, and the island population’s memories of the objects fade until they can’t remember their existence at all. Disappearances escalate, and one morning people wake up and their left legs have disappeared – their very essence is thinning. Even nature submits and seasons disappears. The world of the island inhabitants gradually shrinks and loses meaning, but there are a small number of people who retain memories. The Memory Police seek them out, round them up, and take them away.
People—and I’m no exception—seem capable of forgetting almost anything, much as if our island were unable to float in anything but an expanse of totally empty sea.
The characters are unnamed. The narrator is an author, and she and an old man who is a family friend decide to hide the author’s friend and editor, R, beneath her floorboards in a hidden room when they realise he has memories and is at risk. The room also accumulates what can be salvaged of the things that are disappearing.
I suppose memories live here and there in the body. But they’re invisible, aren’t they? And no matter how wonderful the memory, it vanishes if you leave it alone. If no one pays attention to it. They leave no trace, no evidence that they ever existed.
There is also a story with the story – excerpts from a manuscript that the narrator has been writing about a typist who can only communicate through typing as she has lost her voice. She’s held hostage by her typing teacher and lover in a tower. When novels disappear, R encourages the author to keep writing as a means of preservation.
Men who start by burning books end by burning other men
Beautifully written in quiet poetic prose with the slow creep of tension, the novel explores memory and its role in identity, connection, loss and isolation, as well as the perils of authoritarianism and the power of art and storytelling as a vehicle for resistance. The story asks us to consider our identity and our relationship to the world around us. It also made me consider mortality as the novel reminded me a little of what happens when we start to die and parts of our bodies succumb to illness or old age, memories fade and friends disappear.
The further away from the main tourist spots we’ve travelled, the more I’m enjoying this trip. After the Hiroshima area we headed to the port town of Onomichi.
ONOMICHI and TOMONOURA
Onomichi is a small seaside port that spreads up the surrounding hillsides where temples (25 in total) and shrines are dotted between houses along steep narrow streets. The view from the top is magnificent and the town reminded me a little bit of Hobart before it was gentrified. Our hotel had a rooftop bar that served chips that the barman smoked by attaching a hose to a transparent dome secured over the bowl and pumping smoke onto them!
Onomichi is a town that draws artists and creators and has featured in a number of films including Yasujiro Ozu’s classic Tokyo Story. The town also has a strong association with literature and poetry with 25 literary monuments along the Literature Path.
the artist’s job is to grasp the simplicity, precision, and simple individuality of single materials and assemble them into a work of art
– scholar Rai Sanyo
We spent a day exploring the town – making our way up the hillside, checking out the temples and monuments on the way to the museum of art, and exclaiming at the magnificent views over the Seto island sea, and then caught the ropeway back down the hill. In the flat part of the town there is a thriving undercover shopping arcade with a variety of shops and eateries and street performers.
On our second day we caught an old yellow ferry under towering bridges, past ship building yards to the sleepy port fishing town of Tomonoura. It was a perfect sunny day to explore the tiny winding streets lined by dilapidated buildings, junk shops, medicinal alcohol traders, excellent Italian lunch fare and a bakery advertising the
Japanese take on Monte Blanc. Tomonoura has also been used for filming countless movies and TV dramas including The Wolverine staring Hugh Jackman, and is the setting for the amine Ponyo by Director Hayao Miyazaki.
SHIMANAMI KAIDO
Onomichi is the starting point for the Shimanami Kaido cycling trail that connects Japan’s main island of Honshu with Shikoku via bridges across six islands in the Seto Sea. The bridges all have seperate bike lanes and the entire route is marked by a blue line painted on the road. The ride takes in the spectacular scenery of the islands and winds through local villages.
We set off on hired e-assist bikes and rode the section of the Shimanami Kaido cycling route from Onomichi to Omishima Island – mile after mile of beautiful island views. I find the forests really interesting here as the diversity of vegetation gives it a beautiful texture, the likes of which I have not seen in Australia.
We stopped for lunch and to check out the very unusual and colourful Kosanji Temple on Ikuchijima Island. The temple belongs to the Honganji Sect of the Jodo Shinshu School of Pure Land Buddhism and was founded in 1936 by the industrialist Kozo Kosanji. He built the complex over a 30 year period in dedication to his late mother.
Kosanji was a bizarre place with underground tunnels filled with macabre depictions to illustrate the tortures of Buddhist hell from which you emerge to a massive Buddhist statue. At the top is the Hill of Hope – a marble garden construction using 3,000 tons of Cararra marble. I was gobsmacked by the whole dedication and am pretty sure Freud would have something to say about Kosanji’s relationship with his mother!
On Omashima Island we stayed with an older lady in her house (Guesthouse Farmor). She drove us to a local onsen (Mare Grassia) overlooking the water. The Japanese love their baths and they are great at the end of a long days walking or cycling. This was the best one I’ve been to yet with hot/cold indoor/outdoor baths, a sauna and a salt bath. We ate at a tiny ten seater very cool Japanese restaurant called Gagaku.
The ride to Imabari the next day took in more magical views and the longest bridge I’ve ever crossed at 4.1km. I would rate this as the best bike ride I’ve ever done and highly recommend it regardless of your cycling fitness. The e-bikes make it easy.
MATSUYAMA
The next couple of days were largely transitionary. There was a visit to the Imabari towel lab, home of the best fluffy towels in the world, then a train journey to Matsuyama to pick up a rental car. Matsuyama wins the best castle prize so far with the most impressive dry stone walling I’ve ever seen. There is a unique chairlift to get to it, more spectacular views from the hill made literally of plastic chairs attached to a post.
After picking up the car we took a spin down the coast past the most scenic train station in Japan, to the sleepy little town of Ozu also known as the Little Kyoto of Iyo. The Hiji River runs through the town and the place has a frozen in time vibe with fabulous 1960’s signage and paraphernalia.
We have found ourselves in a part of Japan that has a Mediterranean feel and a relaxed vibe. I am also happy to say our itinerary is taking a slower pace also!
Kyoto is a beautiful city but it is suffering from a bad case of overtourism. The issue left me feeling sad for the locals (they must resent it) and because of this I would not go back unless tourism dropped off. Having said that we did have a lovely couple of days by avoiding the most popular tourist spots and getting up very early to avoid the crowds.
The moss gardens at Gio-ji temple were a green oasis and Kyoto station is a wonder of engineering and worth some exploration including to see the spectacular views across the city from the sky garden. The Museum of Kyoto is worth a visit. We learned about the Jōmon hunter-gatherer peoples, a Japanese First Nations group and saw the History of Kyoto Exhibition that included several volumes of the Lotus Sutra scrolls from the 11th century. We also had a beautiful meal at Kiyamachi tofu restaurant near the Kamo River waterfront – it requires pre booking.
Tip: Google translate is invaluable, don’t leave home without it.
Kamogawa RiverTourist trainMoss gardenKyoto stationKyoto stationKyoto stationMuseum of KyotoMuseum of KyotoMuseum of KyotoMuseum of KyotoKamogawa River
KOYASAN
Our next destination was Koyasan. The train journey is via Osaka where we walked down Doutonbori street which is a a smorgasbord of neon and noise with a carnival atmosphere. I noticed at the train station locals were much more interested in engaging with us than in Kyoto, likely an indication that tourism is not overwhelming the city.
From Osaka we caught a train, a cable car and a bus for a slow ride into the mountains and the centre of Shingon Buddhism, first introduced to Japan in 805 by Kobo Daishi. The Koyasan area has a number of World Heritage Sites including the Garan temple complex.
I felt my nervous system relax immediately after the amusement park like atmosphere of Osaka. Koyasan is a very beautiful mountainous area with pilgrimage walks, monks singing in the early morning and not too many tourists. We stayed at the Saizen-in temple lodgings which was well located and comfortable and provided tasty vegetarian meals.
Koyasan is also home to Okunoin Cemetery established in 835 in a beautiful conifer forest. It’s worth getting up very early and arriving at the cemetary at first light when it has a special atmosphere.
I could easily have stayed in Koyasan for longer and would like to go back there one day, perhaps for a retreat and to do some of the pilgrimage walks.
Doutonbori streetDoutonbori streetDoutonbori streetCable car to KoyasanGaran temple complexGaran temple complexGaran temple complexGaran temple complexGaran temple complexGaran temple complexGaran temple complexGreat Daimon GateSunset near Great Daimon GateGreat Daimon GateOkunoin CemeteryOkunoin CemeteryOkunoin CemeteryOkunoin CemeteryOkunoin CemeteryOkunoin CemeteryOkunoin CemeteryOkunoin Cemetery
HIROSHIMA
From Koyasan we transited to Hiroshima. Of the major cities we have visited, Hiroshima had the most relaxed feel and was not overrun by tourists in the way Kyoto is. You can smell the sea and there are multiple big rivers running through the city which is easy to get around on foot or via the tram, train or bus if you have a Suica card.
We visited the castle (reconstructed after the 1945 atomic bomb) which is five stories high and surrounded by a moat. The castle contains a museum about the history of the castle and the and has panoramic views of Hiroshima from the top. Walking through the grounds containing ruins provided the first sense of the 1945 atomic bomb destruction. There is a tree in the grounds that survived the nuclear bomb – a eucalyptus melliodora – mind blowing when you consider the destruction caused by that event.
Within walking distance from the castle are the A-Bomb Dome (a building destroyed but left standing as a peace memorial), the Peace Memorial Park, and the Peace Museum. The remembrances to victims of the nuclear bomb dropped by the USA on 6 August 1945 were very moving and made even more so by the large number of school children visiting the sites. Groups of children sang to the Children’s Peace monument and surrounded us as we walked through the museum. To collect our thoughts and reflect on the Peace Museum we sought out the Social Book Cafe Hummingbird, a cafe established for people to gather, connect and discuss social issues. They serve nice herbal teas and sweets and are very welcoming and friendly.
CastleCastle viewPeace ParkPeace parkPeace parkA-Bomb DomeA-Bomb Dome
SANDANKYO
About an hour by bus from Hiroshima is Sandankyo. The town is small and has a very remote feel (think north west Tasmania), and is the gateway to Sandankyo Gorge. The gorge runs 16 kilometers along the Shibaki River through thick cedar forests, jade coloured pools, steep moss covered cliffs and waterfalls, and is part of the Nishi-Chugoku Sanchi Quasi-National Park. A walking track hugs the gorge and we followed it about 8.5 km to Sandandaki Falls, a three tiered, 130m waterfall. We had perfect weather conditions for walking and finished the day with tired legs but full bellies after a beautiful meal proved by a couple of the local ladies at the Kawamoto Ryokan where we stayed. It was convenient, basic and comfortable.
Tip: if you go to Sandankyo make sure you check the bus routes and timetables as they can change and it’s not a place you want to get stuck without a place to stay.
We woke up to rain at Sandankyo and hopped on a bus – train – ferry to Miyajima (Itsukushima). Miyajima is a popular tourist island not far from Hiroshima with the well known Itsukushima Shrine built over the water with a massive orange torii gate in front. It is said that the Shrine was built on the coast because the entire island is a deity to revere. Historically it was taboo to die or give birth on the island and there are still no cemeteries or hospitals as it is believed they would damage the islands purity.
Walking the streets alongside the wild deer after most of the tourists have left is beautiful and it’s worth staying the night to avoid the crowds. In the morning we took the ropeway cable car to the top of Mount Misen which has a fantastic view, though there was low cloud when we went so we couldn’t see much, the ropeway is a great experience in itself though. We stayed at Mizuha-so near the aquarium, which I would happily recommend.
Tip: Miyajima gets loads of tourist traffic. The best times to be there are late afternoon and early morning, so if you’re thinking of going it’s worth staying overnight to dodge the worst of the crowds.
Ferry to MiyajimaTorii gateItsukushima ShrineDeer and templeMiyajimaDeerWalk or run to the ropewayRopewayRopewayRopeway viewRopeway viewSacred horseTorii gate
My Japan trip with two long term friends is a logistical extravaganza with 20 stops in 36 days using every means of transport available. Our first week was made up of several days in Tokyo then a night in Narai-juka before walking part of the Nakasendo postal route then heading to Kyoto for a few days. What follows are the moments that stuck with me. I have also added a book review at the end
TOKYO
We had a soft landing in Tokyo. It was a Saturday night yet the airport felt empty and we glided through customs and onto a Shinkansen (bullet rain) to Tokyo with Japanese efficiency. The train systems are a labyrinth of efficiency, logically organised if you can understand the colour coded system and extraordinary feats of engineering. Getting lost in subways is standard for tourists (and some locals) and we did spend sometime wandering the underground in Tokyo and Kyoto until we got our bearings.
Tips: download the Suica app before you leave and load some funds on it for easy train ticketing, to book on Shinkansen and the Narita AirPort Express. You can also use it in some convenience stores. Download google maps – it uses the subway colour coding and is invaluable to find the right subway entries and train connections, and always allow time to find your platform – it can take a while. Try and avoid catching trains at peak hour as they can be extremely crowded and stuffy (one of my friends actually fainted).
We visited Oedo Antique Market overflowing with treasures including ornaments, tea ceremony bowls, kimonos, clothing made from beautiful hand sewn silks, indigo dyed denim and assorted nick-nacks. The Japanese are generally quite reserved so I was surprised when an elderly lady stopped us and wanted to chat about what we had purchased and show us her items, but I had a sense she was lonely and saw us as a safe way to connect.
Later that day we walked around Ueno Park which had a lovely community feel with musicians and young creatives selling their wares, a massive lotus pond, the Kaneiji Temple and several museums. Then we wandered around the old neighbourhood of Yanaka, one of the few areas still containing traditional buildings as it was spared from bombing during WWII.
We stayed in the quiet residential neighbourhood of Arakawa at TokyoNEST Nippori hotel near the train station, and conveniently across the road from the Saito onsen, a public bath. At the end of a long day’s walking we crossed for a soak. The bath was fabulous but we did experience our first real cross cultural challenges. Understanding the towel vending machine was confusing, we didn’t have enough coins for the lockers (a kind old lady lent us one) and I had to be shown how to make the hairdryer work. Luckily the local ladies were extremely gracious with us clumsy foreigners though I am pretty sure there was an undisclosed inner dialogue behind those polite facades.
Oedo Antique Market
Ueno Park
Yanaka
Sky Garden, Nakameguro
Rikugien garden, Nagaracho
Jumbocho Book town
Hot and cold vending machines
Tips: the public baths are generally tattoo friendly, while many private ones are not. Arrive with a good handful of 100 yen coins to hire towels and use lockers and hairdryers.
Other Tokyo highlights included Jumbocho book town and the cherry blossom tree lined Meguro river in Nakameguro, the centre of cool and Japanese hipsters where we had lunch at a funky Thai restaurant called Krung Siam. This area also has a large Sky Garden – a massive colosseum type structure with vines growing up the outside and an entire garden in the roof overlooking the city. It’s a great spot to escape for a quiet moment. A short train ride will take you to the poetic Rikugien garden in Nagaracho which is lovely to walk around too.
Tip: If you are there during spring cherry blossoms or autumn foliage time, the Rikugien gardens are lit up and kept open until 9 p.m
KISO VALLEY
We made our way via three trains to Narai-juka past narrow pointy mountain peaks covered in dense green jungle pushing up from the earth to reach into the clouds. We passed valleys dotted with villages and cemeteries and farmlets growing vegetables, the outbuildings being consumed by the forest. Narai-juka is a beautifully preserved post town on the old walking route that connected Edo (modern-day Tokyo) with Kyoto during the Edo period (1600 – 1868). The trail is 540 km long and has post towns dotted along the way for travelers to rest and recover. Walking around Narai to check out the historical buildings, shrines, and a beautiful wooden bridge was around 7km all up.
We planned to walk a couple of sections of the trail from Narai to Yabuhara Station over the Torii Pass, then from Nagiso to Tsumago and Magome. Most people walk south to north, we did the opposite and set out early. This meant we did not get caught up with other walkers much and mainly encountered them toward the end of each day – most importantly going in the opposite direction so we didn’t get stuck with the constant chatter of other walkers.
In Narai-juka we stayed at the Iya Kankou Ryokan situated in a 200 year old building with an internal garden where we had delicious traditional Japanese meals. We headed out early on the Torii Pass which has and some magnificent views and we caught the first signs of autumn colours (no bears). This part of the walk is only about 7km but it’s an uphill and downhill and took about 3 hours.
Narai-juka main street
Shizume Shrine, Narai-juku
Kiso-no-Ohashi Bridge, Narai-juka
Narai-juka
Torii Pass
Ontake Shrine
View toward Yabuhara
From Yabuhara we caught a train to Nagiso and had lunch at Cocono Cafe. It was run by very elderly women and had a vibe of Japan fused with an English tea house. I can recommend the soba and yam soup, a local specialty. After lunch we walked on to our next stopover just past Tsumago along narrow winding roads through old villages. Our total walk that day was around 15km.
Tip: if staying around Tsumago order dinner and breakfast with your accommodation as other options are limited.
The next morning we ended up having a hamburger from a vending machine heated in a microwave for breakfast which was surprisingly palatable and fortifying. On vending machines – they are everywhere. Particularly good to get a coffee – hot or cold.
Tsumago
Waterwheel, Tsumago
Grass horse, Tsumago
Araragi River
Bamboo forest on the road to Tsumago
The final leg of our walk to Magome was around 12km along cobbled paths and dirt trails, past waterfalls, through cedar forests and bamboo copses alongside the ghosts of Samarai. We stayed at the beautifully restored and generously provisioned Magome guesthouse with an outdoor hot tub and plenty of hammocks to relax in while we watched the sun set and ate a meal ordered in by our host.
On the road to Magome
On the road to Magome
On the road to Magome
Magome sunset
Tanuki statue for luck and prosperity
Magome-juku is a pretty mountainous historic town. Streets are lined with traditional buildings and there are a number of places to eat – I can recommend the oyaki (steamed dumplings) filled with pickled vegetables or marinated eggplant or sweet chestnut and steamed in what looked like a system of 19th century hinoki cedar drawers.
After a fond farewell to our very generous host we boarded a bullet train that took us to the big smoke of Kyoto at 275km/h where we had a sunset wander along the Kamogawa river and a picnic from 7-11 at the close of our first week.
Tip: you can get a really good take away meal from a 7-11 in Japan for when you can’t be bothered looking for a restaurant.
Book review: Convenience Store Woman by Sayaka Murata
After marvelling at the 7-11’s in Tokyo and Kyoto it was fitting that I read Convenience Store Woman by Sayaka Murata during our many train journeys in between gazing out the window. This is a story about a woman called Keiko who does not fit into Japanese societal expectations as she does not get the strict social mores and says and does things she should not.
The normal world has no room for exceptions and always quietly eliminates foreign objects. Anyone who is lacking is disposed of.
As a child Keiko kept getting into trouble for her literal approach to life – on one occasion pulling the teachers skit and pants down as her shouting was disturbing the children and she’d seen it done on TV and make women quiet. Her family worry about her and she does not have friends and when she tires of always getting into trouble she decides to stop talking outside the home.
At eighteen she gets a job in a local convenience store. Here she finds a place where she fits as they provide extensive training and a manual on how to behave and what to say – it’s the first time she feels like she understands how to be human. The job provides a sense of being a useful member of society.
So the manual for life already existed. It was just that it was already ingrained in everyone’s heads, and there wasn’t any need to put it in writing. The specific form of what is considered an “ordinary person” had been there all along, unchanged since prehistoric times I finally realised.
But Kaikos family still worry, she is now 36, childless, and never had a boyfriend. Her family still want to fix her. Enter Shiraha, a hopeless unlikeable man who wants a wife to support him so he can just stay home and breathe. Keiko sees an opportunity and asks him to move in – she will provide what he wants, keeping him like a pet, and his presence will make her appear more normal.
I am one of those cogs, going round and round. I have become a functioning part of the world, rotating in the time of day called morning.
Convenience Store Woman is a story about an autistic woman in a society that has strict conformist social rules that do not make any sense to her. Keiko tells her story in a classic pragmatic, deadpan way, explaining how she learns to be just to fit in as it makes life easier, not because she cares.
When I hear stars whispering at night I feel part of the eternal flow of time.
― Durian Sukegawa, Sweet Bean Paste
When I travel I like to read literature and watch movies from the place I am visiting to promote immersion in the culture and deepen my understanding of a place through the creative lens of local artists. On the plane on the way to Japan I watched Sakura, a mystery-thriller about an investigation into the death of two young woman, one a journalist whose friend Izumi works in the police PR department and believes she may be responsible for her friend’s death after revealing some insider information.
All experience adds up to a life lived as only you could. I feel sure the day will come when you can say: this is my life.
― Durian Sukegawa, Sweet Bean Paste
In keeping with the genre Sakura was tense with a twisting puzzle like plot. But the thing that most fascinated me about the film was the language and dialogue. People were softly spoken and there were many silences and pauses in conversation that left empty space. I love that silence is valued as a meaningful part of dialogue in Japanese culture. The spaces in conversation also contributed to the film’s tension and made me wonder about what was not said.
I began to understand that we were born in order to see and listen to the world. And that’s all this world wants of us.
― Durian Sukegawa, Sweet Bean Paste
The trip also allowed time to read Sweet Bean Paste by Durian Sukegawa. The novel follows the development of a friendship between a mysterious old woman named Tokue and a man called Sentaro after his release from jail when he is running a dorayaki shop. They bond over perfecting the making of bean paste, and that represents their growing connection.
If all you ever see is reality, you just want to die. The only way to get over barriers, she said, is to live in the spirit of already being over them.
― Durian Sukegawa, Sweet Bean Paste
In Japan people with leprosy were forcibly isolated in sanatoriums up until 1996, preventing them from participation in society. The Sweet Bean Paste reflects on stigmatisation and prejudice in Japan, and the importance of having a purpose in order to be a useful member of society. What happens when societal prejudice prevents you from purpose?
People’s lives never stay the same colour forever. There are times when the colour of life changes completely.
― Durian Sukegawa, Sweet Bean Paste
In keeping with other Japanese literature I have read, the story focussed in on the day to day and the pace of Sweet Bean Paste was laconic.
It’s my belief that everything in this world has its own language. We have the ability to open up our ears and minds to anything and everything. That could be someone walking down the street, or it could be the sunshine or the wind.
― Durian Sukegawa, Sweet Bean Paste
The reverence of silence was prominent again, however in the written form we also gain insight into what is not said by the narrator – his prejudices, desires, insecurities and hopes. So overall my transit left me contemplating the idea of what is said and what is not said, a theme that I suspect will accompany my entire journey.
If I were not here, this full moon would not be here. Neither would the trees. Or the wind. If my view of the world disappears, then everything that I see disappears too. It’s as simple as that.
― Durian Sukegawa, Sweet Bean Paste
You may have guessed by now that my blog for the next few weeks will be reflections on my travels. If this is not of interest to you, come back at the beginning of December when I will return to my regular reviews, otherwise follow along on my journey through Japan.
She said that was the only way for us to live, to be like the poets.
China Rich Girlfriend is Kevin Kwan’s sequel to Crazy Rich Asians where old money meets new in the jet setting, excessive consumerist wild lives of Hong Kong and Shanghai’s elite.
People are messy. Life gets messy. Things are not always going to work out perfectly just because you want them to.
Just when you start to tire of the tantrums and shopping trips to buy clothing worth more than the average persons house, there’s a plot twist and a mystery, intrigue, drama and romance.
I’m so glad I can always count on you to have some sort of ulterior motive that involves money.
Nick Young and Rachel Chu are on the cusp of getting married when Rachel discovers her unknown father is Bao Shaoyen, a wealthy and influential politician from mainland China. The couple fly to Shanghai to meet her family including her half brother Carlton and his socialite girlfriend Colette Bing and find themselves caught up in the highlife.
I don’t understand. How can a credit card ever be rejected? It’s not like it’s a kidney!
Other characters include Kitty Pony, former sex-tape star trying to break into A list, tech entrepreneur and social climbing, mean spirited Michael Teo, his wife, Astrid, and Charlie who is keen on Astrid, all of whom crave a spot in the social pages while being careful to appear as if they don’t care.
Beauty fades, but wit will keep you on the invitation lists to all the most exclusive parties.
China Rich Girlfriend is like an over the top Chinese soap opera. A silly fun quick read.
Note: I am off on holidays to Japan tomorrow for five weeks – yeah! I will do my best to continue my weekly posts, but it may turn into a travel blog for a few weeks.
I love a good drag cabaret show and ACTRESS, performed by Murdoch Keane, is up there with a unique concept and persona and great visual artistry combined with artistic talent. The audience went off.
As the patrons enter Griselda von Fistenberg dances around a collection of cardboard boxes and other props under a red glow light. Her mass of golden hair sparkles and her opening lines are poetic.
There’s one catch. She’s dead. Has been for five days after falling down the stairs. Her pool boy found her there. So are we seeing an old actress come back from the dead or has her besotted queer pool boy stolen her identity and put on a show?
This is Hollywood ghosts on steroids – think Judy, Marilyn, Joan, Bette, Liz T, Liza, Ethel and King Kong – bought back to life by Keane’s exceptionally good voice and high energy charisma. It’s queer cabaret delivered with ghoulish glamour.
ACTRESS, created in collaboration with Ozzy Breen-Carr and directed by Brandon Armstrong, is Keane’s debut solo show developed through a La Mama residency. I am confident we will see a lot more of Keane.
ACTRESS is showing at Melbourne Fringe Festival Hub, Trades Hall in the Meeting Room until 19th October. If you’re looking for a wild ride with some old stars and new themes, grab a ticket for this Fringe show now.
The Art of Racing in the Rain by Garth Stein was a totally random pick for me. I did not expect reading it to leave me in tears! The story is written from the view point a dog called Enzo.
I’ve always felt almost human. I’ve always known that there’s something about me that’s different than other dogs.
Enzo is sensitive, introspective and funny and takes his role of looking after his humans very seriously. He learns a lot by watching the television when his humans are at work, but his lack of thumbs is frustrating and he plans to come back in his next life as a human.
People are always worried about what’s happening next. They often find it difficult to stand still, to occupy the now without worrying about the future. People are generally not satisfied with what they have; they are very concerned with what they are going to have.
Enzo was picked out from a litter of puppies by his human, Denny. Denny is a race car driver who works in a Seattle car-repair shop to fund his racing. Enzo soon discovers he loves car racing as well. The tale takes us Enzo and Denny’s single life together through to the adjustment to a human woman called Eve who comes into Denny’s life. Enzo isn’t sure about Eve to begin with but they do bond. Then the humans have a baby called Zoe and Enzo is smitten.
Somewhere, the zebra is dancing.
Things take a turn when Eve becomes unwell and Denny’s life spirals through a sequence of bad luck, well meaning but misplaced intentions, and nastiness. Enzo sticks by his man as his life unravels, but has to contend with a demon zebra.
He died that day because his body had served its purpose. His soul had done what it came to do, learned what it came to learn, and then was free to leave.
The Art of Racing in the Rain is a tale about family, love, loyalty and hope. It’s a bit cheesy at times, but I’m a total sucker for a dog story.
R L Smith 