Opening up, getting out

One of the things I have enjoyed most about being home this spring has been to observe the changes in the forest on my daily walks. The bushland spring blooms are tiny, prolific and colourful, if short lived, displays. Some of my favourites include the chocolate lily (arthropodium strictures), blue pincushion (Brunonia autralis), button everlasting (helichrysum scorpiodis), milkmaids (burchadia umbellata) and the tufted grey-green perennial kangaroo grass (Themeda triandra) with its red-geeen spikelet flowers

The emergence of spring blooms seems in some way more symbolic this year as Melbourne opens up after its own long slumber, the 111 day pandemic hard lockdown. The flowering seems to auger new beginnings as we all start to find our way back out into the world.

The background hum of traffic has grown louder as the roads become busier. What now appears as mayhem makes it seem as if many have forgotten how to drive.

My local village fills with day trippers seeking out fresh air and greenery. The sight of them sends me scurrying back home from my walk to my little patch of peaceful solitude.

I find the sudden acceleration of pace confronting. When a friend suggests we go out to a restaurant for a birthday lunch I am simultaneously excited about seeing friends in the flesh and terrified of being out amongst a crowd of people. One friend calls it ‘fogo’ (fear of going out).

Having adjusted to lockdown life, I feel reluctant to return to the whirly of life as it was ‘before’ and hope to retain some of this more sedate existence.

Grand Dames of Crime: Ethel Lina White

Largely forgotten today, Welsh crime writer Ethel Lina White (1876-1944) wrote 17 novels. In her day she was as well known as writers like Agatha Christie. White started out writing short stories and working at the Ministry of Pensions but left her job to scratch out a living as a writer after an offer of ten-pounds for a short story.

Lost causes are the only causes worth fighting for

Ethel Lina White

White wrote three non-crime novels between 1927 and 1930 before turning to crime. Her first crime novel Put Out the Light was published in 1931 when she was fifty-five. Her work often featured lonely but strong heroines in dark country houses as metaphors for repression. She became known for writing suspense that set your heart racing, as well as her colloquial conversation style in dialogue. Some of these skills were probably picked up while indulging her favourite downtime activity of watching films.

Her novel Some Must Watch (1933) was made into a Hollywood Movie called The Spiral Staircase (1946). The Wheel Spins (1936) was filmed by Alfred Hitchcock as The Lady Vanishes (1938). Midnight House (1942) was also filmed as The Unseen with Raymond Chandler as one of the script writers.

Bibliography

The Wish-Bone (1927)
Twill Soon Be Dark (1929)
The Eternal Journey (1930)
Put Out the Light (1931) aka Sinister Light
Fear Stalks the Village (1932)
Some Must Watch (1933) aka The Spiral Staircase
Wax (1935)
The First Time He Died (1935)
The Wheel Spins (1936) aka The Lady Vanishes
The Third Eye (1937)
The Elephant Never Forgets (1937)
Step in the Dark (1938)
While She Sleeps (1940)
She Faded Into Air (1941)
Midnight House (1942) aka Her Heart in Her Throat, The Unseen
The Man Who Loved Lions (1943) aka The Man Who Was Not There
They See in Darkness (1944)

Book review: Death in Her Hands by Ottessa Moshfegh

Vesta Gul is an ageing widow who lives in a small cabin on a lake with her dog Charlie. She is a curiosity to the local townsfolk. Out walking in the woods one morning, Vesta finds a note on the ground held down with stones suggesting a woman called Magda has been killed.

Her name was Magda. Nobody will ever know who killed her. It wasn’t me. Here is her dead body. But there was no body. No bloodstain. No tangle of hair caught on the coarse fallen branches, no red wool scarf damp with morning dew festooned across the bushes. There was just the note on the ground, rustling at my feet in the soft May wind. I happened upon it on my dawn walk through the birch woods with my dog, Charlie.

There is no body in sight so Vesta decides to become a sleuth and try to work out what happened to Magda. She begins to concoct Magda’s story by writing it down following instructions on how to write a good mystery. She develops characters with elaborate backstories and conspiracy theories inspired by red herrings. She talks to Charlie and reflects on what her dead husband, Walter might make of her antics.

Reading lots of mysteries is essential. That seemed like ridiculous advice. The last thing anyone should do is stuff her head full of other people’s ways of doing things. That would take all the fun out. Does one study children before copulating to produce one? Does one perform a thorough examination of others’ feces before rushing to the toilet? Does one go around asking people to recount their dreams before going to sleep? No. Composing a mystery was a creative endeavor, not some calculated procedure.

Vesta’s adventure both enthrals and frightens her as she develops a detailed backstories for Magda and all the other characters in her mystery. Walter berates her continually in her head as she goes, as he evidently did in life, and Vesta seems to get some satisfaction out of defying him.

An ax murderer wouldn’t be very quick on his feet, carrying an ax and all. Charlie’s warning would give me time enough to collect my coat and purse, even. I wasn’t worried that I would be hacked to death, fed to the wolves, even if there were wolves out there, which there weren’t. At least none that we’d ever seen. Nor bears. Though there were foxes. But the most they were known to do was break into people’s garbage and make a mess. They were no worse than skunks or raccoons or opossums. Still, I’d taken a butcher knife up to bed with me and had slid it under the mattress. Just in case. Because who knew? Who knew? … And that was what was keeping me awake—not knowing, and wanting to know.

In the absence of human company, Vesta’s imagination recasts her view of the real world. She buys a camouflage onesie online and sets booby traps around her home. The woman becomes more and more unhinged from reality as she attempts to solve the mystery of the note.

Death in Her Hands is the story of an ageing woman facing a life of emptiness who uses her imagination to escape from her solitude.

The book unfolds in long rambling paragraphs across only seven chapters. It is is Ottessa Moshfegh’s third novel (the others being Eileen and My Year of Rest and Relaxation). Death in Her Hands is part mystery, part suspense, and part black comedy.

Book review: The Ruin by Dervla McTiernan

The Ruin is the first book in the Cormac Reilly series by Dervla McTieran. Published in 2018, it is a gritty, atmospheric page turning police procedural.

Rookie copy Cormac Reilly is called out to investigate a domestic in Galway, Ireland in 1993. He is greeted by an under-nourished 15 year old girl at a dilapidated house. Her mother is in bed, dead from an apparent heroin overdose, and she has her much younger brother in her care. Cormac takes the kids to a hospital were the girl disappears and it is revealed the boy has unexplained injuries all over his body.

By 2013, Cormac has risen through the ranks to become a member of an elite anti-terror squad in Dublin. He moves back to Galway to be with his biologist partner, Emma who gets a lucrative research gig there.

Aisling is an ambitious young doctor training to become a surgeon. She lives with her boyfriend Jack. When she discovers she is pregnant, the couple have an intense discussion about whether they should keep the baby. Jack goes out to get some air and clear his head. His body is discovered in the river the next day, and his death declared a suicide.

Jack’s sister Maude, who has been living in Australia for years, arrives back in Ireland and pursues the police to look further into Jack’s death. She does not believe it was suicide. When Aisling meets her she joins Maude in pursuing this line of enquiry. The police view the women as a nuisance.

Cormac finds himself an outsider back in Galway, and is relegated to reviewing cold-case investigations – including the 1993 death he attended as a rookie. It turns our Jack who was found in the river was the little boy Cormac took to the hospital.

Cormac, Aisling and Maude’s trajectories begin to intersect as issues including child abuse, addiction, abortion and corruption are explored.

Book review: Case Histories by Kate Atkinson

Normal programming resumes this week with a book review of Kate Atkinson’s novel, Case Histories, book 1 in the Jackson Brodie series. I listened to this one in audio book format whilst working on the shed renovating iso project. More on that story later.

She should have done science, not spent all her time with her head in novels. Novels gave you a completely false idea about life, they told lies and they implied there were endings when in reality there were no endings, everything just went on and on and on.

In 1970, a girl called Olivia goes missing at night from a tent in her parents back yard. She is never found. A young woman called Laura is brutally murdered in her fathers city law office in 1994, the killer never identified, leaving her father wracked with guilt. An isolated young mother called Shiriley feels trapped with a baby and a demanding husband and takes to her husband with an axe during an argument in 1979. She goes to jail. Her child, given over to her husbands parents has for all intents and purposes, vanished.

The survivors of the tragedies are haunted by unresolved grief.

When you chopped logs with the ax and they split open they smelled beautiful, like Christmas. But when you split someone’s head open it smelled like abattoir and quite overpowered the scent of the wild lilacs you’d cut and brought into the house only this morning, which was already another life.

Ex-cop, and soon to be divorced private investigator Jackson Brodie is pursuing a flight attendant who’s husband believes she is cheating on him. His other case involves searching for an eccentric old ladies missing cats.

Time was a thief, he stole your life away from you and the only way you could get it back was to outwit him and snatch it right back.

Brodie is approached by Olivia’s sisters. They found their sisters toy hidden in their dead fathers belongings and want Brodie to investigate her disappearance thirty years after it occurred. Laura’s father hires Brodie to find the man in a yellow golfing sweater believed to have murdered his daughter. Shirley’s sister asks Brodie to find her niece who disappeared after her sister went to jail.

The seemingly unconnected cases begin to converge.

Doing nothing was much more productive than people thought; Jackson often had his most profound insights when he appeared to be entirely idle. He didn’t get bored, he just went into a nothing kind of place.

The novel jumps back and forth in time and from case to case. The threads are held together by the sense of isolation of each of the characters as they journey to find connection beyond their own tragedies. The reader is challenged to keep track of the many narratives, and compelled by Atkinson’s vivid and funny character sketches that draw the reader to them. Atkinson lightens the sense of grief and loss that permeates the novel with plenty of humour and perceptive insights.

The plot thickens,” he said, and wished he hadn’t said that because it sounded like something from a bad detective novel. “I think we have a suspect.” That didn’t sound much better. “My house has just exploded, by the way.” At least that was novel.

An intelligent and novel detective novel.